{"id":842,"date":"2019-07-24T11:04:57","date_gmt":"2019-07-24T08:04:57","guid":{"rendered":"http:\/\/www.jaanelken.com\/?page_id=842"},"modified":"2019-07-24T11:36:08","modified_gmt":"2019-07-24T08:36:08","slug":"2019-heaven-and-earth","status":"publish","type":"page","link":"https:\/\/www.jaanelken.com\/?page_id=842","title":{"rendered":"2019 Heaven and earth"},"content":{"rendered":"\n

Heaven and earth was exhibited in Hobusepea gallery in June 11-July 8, 2019 and in Draakon gallery in June 10-July 6, 2019. <\/p>\n\n\n\n

According to the artist, the exhibition formed a vigorous sketch about the entire universe while shifting the viewpoint back in time, to the beginning of times. <\/p>\n\n\n\n

Jaan Elken: <\/p>\n\n\n\n

\u201eUsing such meaningful, Biblical words in a title is risky yet safe \u2013 I believe in the advantages of meditative solutions instead of aggressive activism. <\/em><\/p>\n\n\n\n

As for painting, I have divided the artwork into three conceptual themes. In the light of our prior knowledge, water is the most important element \u2013 it reaches both the sky and the earth, not to mention that it also gives the fluidity to acryclic paint. The artwork exhibited in Draakon gallery expresses atmospherical qualities; and yet, I try to avoid photorealism characteristic to new age phenomena and monotonous minimalism. It is rather about searching for visual equivalents to the inner states of mind \u2013 the search being based on the knowledge about consciousness as the so-called inner space acquired throughout the years. During the trips to Iceland and Norway I have experienced the feeling of d\u00e9j\u00e0 vu, found similarities with melting glaciers or steep cliffs that have been represented as archetypes in my subconsciousness since the beginning of the times. Some artworks might be as well as inspired by the yellowish-gray heaps of dirty, polluted snow and ice piled up by roads in winter. I see values and meanings in everything that is surrounding u<\/i>s. <\/p>\n\n\n\n

The series exhibited in Hobusepea gallery, reminding of sediments of water and mud, could tune the viewer to the wavelength of finiteness and infinity. At the current exhibition, I have tried to avoid the signs of urbanism and have rather seeked for answers that are often kept from people. The keywords to characterize my work would be: forces of nature, peace of the kingdom of heaven, eternal silence, existence \/ non-existence, beginning and end.<\/em>\u201c<\/p>\n\n\n\n