{"id":1219,"date":"2024-09-08T12:52:26","date_gmt":"2024-09-08T09:52:26","guid":{"rendered":"http:\/\/www.jaanelken.com\/?page_id=1219"},"modified":"2024-10-12T01:00:15","modified_gmt":"2024-10-11T22:00:15","slug":"on-the-road-teel","status":"publish","type":"page","link":"https:\/\/www.jaanelken.com\/?page_id=1219","title":{"rendered":"On the Road \/ Teel"},"content":{"rendered":"\r\n

Vabaduse Gallery, Tallinn<\/strong><\/p>\r\n\r\n\r\n\r\n

26.04.\u201322.05.2024<\/strong><\/p>\r\n\r\n\r\n\r\n

Jaan Elken: \u201cThe exhibition On the Road<\/em> is a continuation of the direction of epic landscape paintings that were exhibited at the twin exhibition Heaven and Earth<\/em> in 2019 at Hobusepea and Draakoni galleries. As an artist, I am on the road, both figuratively and literally. The surface of a painting in a pasty style and made with an open hand, can reveal as much as lines written in a confessional diary. Artist\u2019s thoughts and somersaults with physical paint make a very sensitive material, which for me classifies painting as the most interesting form of art. The dramas (staged or not over-paintings) and other private layers on the surfaces of an expressive painter\u2019s canvas are protected by the audience\u2019s illiteracy. Titles don\u2019t help here either \u2013 you don\u2019t believe the spells of car brand names either, do you?<\/p>\r\n\r\n\r\n\r\n

In January 2024, a couple of my large-format works were exhibited at the Allee Gallery, their point of view was from a drone or even from interplanetary space. At Vabaduse Gallery\u2019s exhibition I have taken the liberty to move along the timeline as well. This is for example, with the work depicting the Red Cross transport ship Moero, which was sunk by the invading Red Army in the fall of 1944 \u2013 the tragedy that took thousands of war refugees to the bottom of the sea is something I heard from my parents when I was a child. I have lived in Lasnam\u00e4e for a long time and russified Tallinn has repeatedly found its way into my work \u2013 when in 1984 I painted a sunset in the metaphysical tunnel of Lasnam\u00e4e, then now I have oriented the then three-meter long panoramic view to the east, to the year 3024. I have been inspired by crumbling stone deserts also before. In the poetics of decay, in the search for common ground between the inner and the outer, nature always emerges as the winner, there is no doubt about that.<\/p>\r\n\r\n\r\n\r\n

According to Western traditions, the universe consists of four archetypes: earth, air, water, fire. When I noticed that everything I\u2019m currently working on in painting \u2013 from volcanic eruptions (or genesis) to apocalyptic Armageddon \u2013 was classified under these resonant and comprehensive concepts, it gave me confidence that I was on the right track. And I don\u2019t have to choose between nature and artificial, because everything is nature, or according to quantum physics \u2013 everything is essentially virtual reality, particles wandering in intricately arranged energy fields. In my paintings, I have given up specific, chopped up notes (objects), and sounds (tonalities) have become fluid, mixed colors and complicated chords have returned.\u201d<\/p>\r\n

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List of paintings:<\/strong><\/p>\r\n

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